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DIRECTORS OF "Welcome to the Rileys"
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CREATORS OF "Welcome to the Rileys"
Welcome to the Rileys
CRITICS OF "Welcome to the Rileys"
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Radio Times
Resource

November 20, 2011

[It] will win no prizes for originality, but it benefits greatly from the subtle performances of the two leads, particularly Leo...
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Observer (UK)
Resource

November 19, 2011

It's a preposterous story, yet for part of its duration at least, Gandolfini as the slouching, baggily dressed Doug and Leo as the reawakened wife manage to make it rather touching.
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London Evening Standard

November 19, 2011

If it could be too slow-burning for some, it is at least a refreshing change from a pattern of film-making that never gives you a moment's rest because there is nothing under the surface.
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Tribune News Service
Resource

January 17, 2013

Kristen Stewart ever runs out of "Snow White" sequels, this is what her post "Twilight" career should look like.
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Washington Post
Resource

November 24, 2010

"Welcome to the Rileys"? Thanks, but no thanks.
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We Got This Covered
Resource

November 11, 2013

Plenty of authentic laughs and great ing performances make Welcome to the Rileys a decent film.
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Dallas Morning News

November 24, 2010

Welcome to the Rileys is a reminder that good, or at least intriguing, things can come in what seem to be predictable packages.
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Miami Herald
Resource

December 08, 2010

"Welcome to the Rileys" sets out to be a study of grief and how to overcome it, but it rings too false to offer much hope - or entertainment.
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ScreenRant
Resource

October 05, 2012

For every moment of raw self-destruction there is an equally charming resolution.
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Philadelphia Inquirer
Resource

December 02, 2010

It's as if Tony Soprano and Bella Swan had landed the two leads in somebody's amateur theater company, and this is what the lucky audience gets.
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Arizona Republic
Resource

November 12, 2010

Terrific acting by James Gandolfini and Melissa Leo -- and a noble effort from Kristen Stewart -- goes a long way toward salvaging it.
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Time Out
Resource

November 15, 2011

Stewart lets it all hang out in a firecracker role but her damaged character never achieves the depth the weak material could have done with.
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